Tancica svoj emocionalni roller-coaster transformira u harmoniju. On nas vodi iza granice informativnog kaosa, kao realnog okruzenja, u dimenziju kosmicke harmonije.
...jedan...
Inicijacija Trilogije je "Kahva". Od svitanja do sumraka u Culhanu se przi sirova kahva. Njen miris u kolektivnoj svijesti budi asocijativni proces vizuelizacije mirisa i njegove transformacije u sliku.
...dva...
Fokus Trilogije je na multimedijalnoj instalaciji "Dreamtime". Na granici sumraka i noci pocinje video projekcija staticnog kadra stabla eukaliptusa. Nasuprot platnu, stampac istovremeno "izbacuje" kompjuterski print lista eukaliptusa. Polazeci od ideje australijskog dreamtimea autor ispituje odnos prirode i tehnologije.
...tri...
Zakljucak Trilogije je u performansu "Homage to Yves Klein". U svitanje se Tancica premazuje Klein plavom bojom, i svoj prolazak gradom dokumentira polaroid snimcima. Na mjestima snimanja ostavlja tragove svog prisustva.
TRILOGIJA: KAHVA, DREAMTIME I HOMMAGE TO YVES KLEIN
TRILOGY: COFFEE, DREAMTIME AND HOMMAGE TO YVES KLEIN
CULHAN, 03.09.1997  
  AMELI TANČICA
  











Tancica transforms his emotional roller-coaster into harmony. He leads us beyond the boundaries of informative chaos, like a real enclosure, into a dimension of cosmic harmony.
...one...
The initial piece of the Trilogy is "Coffee." From dawn to dusk, raw coffee beans are roasted in the Culhan. Their smell wakes in the collective consciousness an associative process of the visualization of smell and its transformation into a picture.
...two...
The focal point of the Trilogy is the multimedia installation, "Dreamtime." At the threshold of dusk and night, a video projection starts, a scene showing a eucalyptus tree. At the same time, opposite the screen, a printer prints out a computer image of a eucalyptus leaf. Starting with the idea of the Australian dreamtime, the author examines the relation of nature and technology.
...three...
The conclusion of the Trilogy is in the performance, "Homage to Yves Klein." At dawn, Tancica covers himself with paint the color of Klein Blue and documents his walk through town with polaroid pictures. He leaves traces of his presence at the places of picture-taking.