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video instalacija, Internet Café (unutrasnji prostor)

"SVI ONI KOJI ZNAJU DA JE MOGUCE I NEMOGUCE NEODVOJIVO, OSTAJU NA POLJU UMJETNOSTI" Hipokrates

Electra znaci nesto skriveno. "Ona koja zna i ne zna u isto vrijeme". Electra, kci Agamnenona, nije prepoznala svoga brata nakon rata... Zona minskih polja je problem kojim se Alma Suljevic bavi nekoliko godina. U Bosni je danas poznato samo oko 18.000 minskih polja sa milion mina, sto je tek polovina od ukupnog broja.
Video instalacija sastavljena iz tri video rada koji se istovremeno prikazuju na tri monitora.
Prvi dio-snimljen je na minskom polju gdje je autorica deminirala nekoliko sati na lokalitetu oko "mosta za razmjenu" Novo Sarajevo (Hotel Bristol, mart 1998)
Drugi dio-intervju sa oficirima MACa, UN centra za deminiranje, Sarajevo BIH. "Pas koji
n video installation, Internet Café (interior space)

"ALL THOSE WHO KNOW THAT THE POSSIBLE AND THE IMPOSSIBLE ARE UNSEPARATABLE, REMAIN IN THE FIELD OF ART" - Hipocrates

Electra means something hidden. "The one who knows and doesn't know at the same time." Electra, the daughter of Agamemnon, did not recognise her brother after the war... The problem of mine fields is something which Alma Suljevic has dealt with for some years. The estimate of 18,000 mine fields with a million mines is just half of what is known to be present in Bosnia today.
The video installation consists of three videos shown on three monitors at the same time.
The first part-filmed in a mine field near the "exchange bridge" (Hotel "Bristol") where the author demined for several hours.
n
k j trazi mine kada se umori prestaje, a covjek nastavlja" (iz intervjua).
Treci dio - Dok isprobavamo nove cipele u ogledalu posmatramo noge. Iz rakursa ogledala kamera prati noge setaca koje hodaju po mapama minskih polja.

 

The second part-interviews with the UN Mine Action Centre officers, Sarajevo, B&H. "A dog which looks for mines stops when it is tired, and the man does not give up." (from the interview)
The third part-While we are trying out our new shoes, we look at our feet. The camera follows feet walking on mine-field maps from a mirror perspective.

 

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