Marijana Curic, "Dis/information of the Exterior"


		video instalacija, Akademija likovnih umjetnosti		video installation, Academy of Fine Arts
		Video instalacija koju cine tri monitora na kojima se istovremeno prikazuju tri animacije. Polazna tacka za rad je ljudsko tijelo koje autorica posmatra sa dva stanovista: - tijelo kao prostor u sebi-tijelo kao kontejner u kome se odvijaju fizioloski i psiholoski procesi najcesce nedostupni ljudskom oku - tijelo u prostoru-situacija u kojoj je tijelo sadrzaj nekog drugog prostora koji utice na njega "Granica" Ova animacija predstavlja znacenje granice-spajanje i razdvajanje. Dvije osobe se suocavaju na granici-susret je		A video installation which consists of three monitors showing three animations at the same time.The starting point is human body which the author looks at from two perspectives: - body as a space in itself-body as a container where physiological and psychical processesinvisible for the human eye take place; - body in space-a situation in which the body consists of some other space, which influences it. "Borderline" This animation represents the meaning of the borderline-linking and separating. Two persons meeton the borderline-the	Ako zelite odstampati ovaj clanak kliknite ovdje. If you want to print this article click here.
k	k	predstavljen zoomom na prostor /granicu izmedu dva ljudska nosa. Prostor koji ih dijeli je u isto vrijeme i zajednicki prostor: granica spaja i razdvaja. Zvuk je baziran na razlicitom tempu disanja; kako granica postaje jasnija, disanje postaje snaznije i brze-sto bi trebalo da reflektira uzbudenost ljudskog tijela (strah, seksualnost, agresivnost, itd.) u situaciji u kojoj su privatni parametri ugrozeni prisustvom drugog (ispitivackog) tijela. "Misao i Rijec" "Misao" je unutrasnji parametar. "Rijec" je vanjski parametar. Grupa usana je nasuprot jednim usnama. Ovom animacijom predstavlja se nacin na koji se individua suocava sa grupom (nacin na koji se privatne misli i ideje suocavaju sa, vise manje, uniformnim drustvenim i kulturoloskim pogledom na svijet). Animacija povezuje unutrasnji/mentalni svijet individue sa vanjskim normama i idejama drustvene organizacije. "Ugao" "Ugao" se odnosi na fizicku dimenziju prostora (unutrasnju i vanjsku) i na unutrasnju i vanjsku dimenziju tijela. U ovoj animaciji ljudska koza se preobrazava u fasadu kuce. Koza kao vanjski dio ljudskog tijela postaje glavni izvor informacije o onom drugom vanjskom prostoru koji utice na njegovo ponasanje.	l	encounter is represented with a close-up of the space / the borderline between two human noses. The space which divides them is at the same time the common space / boundary that joins and separates. The sound is based on different breathing rhythms; as the borderline becomes more clear the breathing becomes faster and harder, which should reflect the excitement of the human body (fear, sexuality, aggressiveness, etc.) in a situation where the private parameters are jeopardized by the presence of another (examining) body. "Thought and Word" "Thought" is an inner parameter. "Word" is an outer parameter. A group of lips is opposed to one pair of lips. This animation represents the way an individual faces a group (the way in which private thoughts and ideas face a more or less uniform social and cultural view on the world). It links inner / mental world of an individual with the external norms and ideas of social organization. "Corner" "Corner" relates to the physical dimension of space (inner and outer) and to the inner and outer dimension of the body. In this part of the animation human skin turns into facade of a house. Skin as an outer part of the human body becomes the main source of information on the other outer space which influences its behavior.

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