Rad Lejle Begic i Izete Gradevic je rad o tisini i stanju zavjere (prijateljske, ideoloske, ljubavne, djecije?). Rad cine nekoliko parova portreta samih autorica (koje su one uzajamno napravile), postavljenih jedan nasuprot drugom u gotovo svim prolazima koji su u vezi sa prostornim rasporedom izlozbe IZA OGLEDALA: na stokovima vrata SCCA-centra, Internet Caféa, Caféa Obala Meeting Pointa, na mostu Cobanija, na ulazu u ljetno kino (Metalac)... Oci stoje u istoj visini, na suprotnim stranama prolaza, zatvarajuci tako imaginarnu liniju, nevidljivu foto-celiju, kojom autorice postaju cuvarice odredenih prostora. Prolaznici "prekidaju" neraskidivu liniju njihovih pogleda.
The work of Lejla Begic and Izeta Gradevic is a work about silence and the condition of conspiracy (friendly, ideological, amatory, childish?). The work is made of a number pairs of portraits of the authors (who made them of each other) mounted one across from the other in almost all the entrances connected to the spaces designated for the exhibition BEYOND THE MIRROR. The eyes are placed at the same height on the opposing sides of each entryway, closing an imaginary line, an invisible photo-cell, by which the authors become keepers of the determined space. Passersby "interrupt" the permanent line of their gaze.
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